~
Above the mountaintops
all is still.
Among the treetops you can feel
barely a breath--
--From "Above the Mountaintops," a poem by Johann Wolfgang von Goethe, translated from the German by Rita Dove, The New Yorker (November 13, 2017), p. 63.
To make it right Vermeer painted then painted over
this scene a woman alone at a table the cloth pushed back
rough folds at the edge as if someone had risen
--From "Repentance," a poem by Natasha Trethewey, The New Yorker (November 20, 2017), pp. 66-67.
Near a recently thawed pond, within a long
channel of construction, a man holding a sign.
One side says slow, the other stop.
Joy and sorrow always run like parallel lines.
--From "Signs for the Living," a poem by Didi Jackson, The New Yorker (October 2, 2017), p. 42.
Tonight I found out that I am divorced.
My second try at marriage, and it's through.
Relief is what I feel most, mixed with pain, of course,
remorse, and just plain grief, which makes me think of you,
you who knew such sorrow in your life
and all the ways that love can come undone,
who was the first to call yourself my wife . . .
--From "News of My Divorce Reminds Me of Your Death," a poem by Taylor Mali, Rattle (December 7, 2017).
The media loves pitting women against women: how do you feed your baby, why don't you fit in that dress, disposable diapers last 8 billion years even in the guts of sharks, gold digger, cougar, jailbait, cat fight. On Coney Island, Miki Sudo downed 38 hot dogs in 10 minutes for the national crown.
--From "Mother's Day," a poem by Karen Skolfield, Waxwing, Issue XIII (Fall 2017).
Showing posts with label Karen Skolfield. Show all posts
Showing posts with label Karen Skolfield. Show all posts
Wednesday, January 31, 2018
Sunday, January 12, 2014
Frost in the Low Areas
~
Frost in the Low Areas, a collection of poetry by Karen Skolfield (Zone 3 Press, 2013).
They've turned back to the food, what's left
Frost in the Low Areas, a collection of poetry by Karen Skolfield (Zone 3 Press, 2013).
They've turned back to the food, what's left
of the warm brie. These are not the people
you want between you and the lifeboats.
--From "Where Babies Come From," p. 3, originally published in Zone 3.
--From "Where Babies Come From," p. 3, originally published in Zone 3.
Mistake one: driving by two cemeteries when the kids
are tired. Mistake two: saying only some people get
buried. Where are the others, my son asks.
--From "Rumors of Her Death Have Been Greatly Exaggerated," p. 31, originally published in BOXCAR Poetry Review (Spring 2011) and later in the 2011 Best of the Net Anthology.
..the students act as if they were being pressed
--From "Rumors of Her Death Have Been Greatly Exaggerated," p. 31, originally published in BOXCAR Poetry Review (Spring 2011) and later in the 2011 Best of the Net Anthology.
..the students act as if they were being pressed
to death. As if the rest of their lives were cheery
and full of volunteer work and perfect omelettes.
--From "Sturm und Drang," p. 34, originally published in Conte (Volume 7, Issue 1).
The note said that my pea seeds
--From "Sturm und Drang," p. 34, originally published in Conte (Volume 7, Issue 1).
The note said that my pea seeds
are infected with pea weevils, many
apologies, here's a refund...
They're next to a big hunk
of meat and every time I open the freezer
I startle, like the time my daughter
froze her toys, the eyes
of a baby doll staring, rime-rimmed.
--From "Disposal," pp. 63-64, originally published in Used Furniture Review (September 5, 2012).
--From "Disposal," pp. 63-64, originally published in Used Furniture Review (September 5, 2012).
Labels:
Best of the Net,
BOXCAR,
Conte,
Karen Skolfield,
Used Furniture Review,
Zone 3
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