Monday, January 31, 2022

Poetry by Louise Glück, an essay by Akhil Sharma, and fiction by Choi Eunyoung and Domenico Starnone

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My story begins very simply: I could speak and I was happy.
Or: I could speak, thus I was happy.
Or: I was happy, thus speaking.
I was like a bright light passing through a dark room. 
—From Faithful and Virtuous Night, an award-winning collection of poems by Louise Glück (Farrar, Straus and Giroux, 2014). This section is from the title poem, pp. 8-17. My other favorite poems in this collection are "A Sharply Worded Silence," pp. 19-21; "The Melancholy Assistant," pp. 45-46; and "A Foreshortened Journey," pp. 47-48.

She kept checking her reflection in building windows. This was our first invitation to someone's home since we'd arrived [in Germany] three months before, so I guessed Mom was feeling nervous in a good way.
         "Xin chào." Mom said the memorized Vietnamese greeting when Mrs. Nguyển opened the front door. I chimed in, "Xin chào," and Mrs. Nguyển smiled in delighted surprise. She greeted us like we were old friends she hadn't seen in years. Mr. Hồ was in the kitchen. His ruddy cheeks and boyishly mischievous face instantly won me over. Mr. Hồ was Dad's coworker, and when he discovered I'd become classmates with his son, Thuỷ, he invited our whole family to his house.
        The dinner Mr. Hồ made was simple, cozy fare. I'm not sure if you can call food "cozy," but there's no other word for it. Beef stew with tomatoes cooked over a slow fire, fragrant steamed rice, grilled prawns, sauteed vegetables, savory fried dumplings with half a lime squeezed over them. 

—From Shoko's Smile, a collection of short stories by Choi Eunyoung, translated from the Korean by Sung Ryu (Penguin Books, 2021). This section is from "Xin Chào, Xin Chào," pp. 59-85. My other favorite story in this collection is the last one, "The Secret," pp. 232-256. 

Christine grew up very poor in Dublin. As a child, she experienced periodic bouts of homelessness. When her family was able to get public housing, it was in a neighborhood where heroin was endemic. The family eventually settled in an area where children were regularly attacked by a local pit bull and people would come running with flaming torches, because fire was one of the few things that would make the dog unclench its jaws. I grew up with a severely brain-damaged brother, whom my parents took care of at home. My brother could not walk or talk or roll over in his sleep. Some nights, we didn't have health aides and my parents stayed up to turn him from side to side so he wouldn't get bedsores. My wife and I are careful people. We feel lucky to have the lives we have, and we don't want to mess them up. Our imaginary child was not careful at all.
        Normally, it is the parents who imagine a future for the child and, through the imagining, hold open a space for the child to step into. In our case, it was the reverse.
—From "A Passage to Parenthood," published in print as "Imagining Ziggy," a personal essay by Akhil Sharma, The New Yorker (January 31, 2022), pp. 24-28.

On that occasion, maybe I interrupted her one too many times, since I liked the girl from Arles and wanted her to like me. Then Teresa turned to me, furious, seizing the bread knife and shouting: try to cut off what I'm saying one more time and I'll cut out your tongue and then some. We faced off in public as if we were alone, and today I believe we really were, such was the extent that we were absorbed with each other, for good and for ill. Our acquaintances were there, sure, and the girl from Arles, but they were inessential figures, all that mattered was our ongoing attraction and repulsion. It was as if our boundless admiration for each other only served to ascertain that we loathed each other, and vice versa.
—From Trust, a novel by Domenico Starnone, translated from the Italian by Jhumpa Lahiri (Europa Editions, 2021). This segment appears on page 15.